Robert Blatt is a composer, artist, performer, and writer. His practice explores expanded situations that reevaluate sound and listening through environment, community, and language. His body of work ranges from experimental music to installation, new media, performance, photography, poetry, print/bookmaking, and video, alongside hard-to-pin-down occurrences in the everyday. Recent projects include the essay "Considering Non-anthropocentric Music" published in Solitude Journal, which has developed into an artistic collaboration with Carla Cao on plant acoustics at Minimal Intelligence Lab, Universidad de Murcia; Works on Paper: Experiments in Language and Sound, a three-month performance project with poet David Abel at Passages Bookshop in Portland—featuring realizations from Blatt's text score collection How to Read a Book, forthcoming as an artist's book made in residence at Kala Art Institute and in a day-length performance at Motto Berlin; and The Free Air on Andromache Records—C84 cassette tape with field recording and voice, and book with score and Blatt's essay "Music and the Weather." From 2018 to 2019, he was a fellow at Akademie Schloss Solitude. He lives in the San Francisco Bay Area.